Please tell the HGEA that you support the HSFCA
HGEA Headquarters and Oahu Division Office
888 Mililani St., Suite 601
Honolulu, HI 96813-2991
Phone: (808) 543-0000
Fax: (808) 528-4059
e-mail: oahudiv@hgea.org
Please Tell your State Senator that you support the HSFCA
Legislative Mailing Info.
Mission Statement of the HSFCA
To promote, perpetuate, preserve and encourage culture and the arts, history and the humanities as central to the quality of life of the people of Hawai`i.
Funding for the Hawai`i State Foundation on Culture and the Arts is provided by the State of Hawai'i and the National Endowment for the Arts. The HSFCA is administratively attached to the Department of Accounting and General Services.
- hawaii.gov/sfca/aboutus.
Contact
Hawai‘i State Foundation on Culture and the Arts
250 South Hotel Street, 2nd Floor
Honolulu, HI 96813
hawaii.gov/sfca
Main telephone number: (808) 586-0300
Fax: (808) 586-0308
TTY: (808) 586-0740
Support the Friends of HiSAM
Help support the Friends of the Hawai`i State Art Museum. (808) 586-0305
(Pdf.) Friends of HiSAM membership application
This blog as well as the twitter account is associated with the Hawai'i State Art Museum docent and volunteers. Posts and Tweets do not reflect the opinions of the HiSAM staff/administration, HSFCA, Friends of HiSAM Executive Board, and Friends of HiSAM. Aloha a me E Komo Mai.
Tuesday, September 01, 2009
Wednesday, August 26, 2009
Ho`oulu-The Inspiration of Hula
September 4, 2009 - July 2010
What do you feel people need to know about hula? What do we want them to come away with?
1. Inspiration to create, to learn hula, and Hawaiian culture
2. 2 points to convey throughout exhibit: continuity via creativity to develop new dances & maintenance of tradition and legacy
3. Important to state that there’s more than 1 way in interpretation; be open with interpretation to encompass many beliefs within hula
The exhibition will be in 4 parts:
1. The front part of DH galleries will have paintings, drawings, prints, etc. The intent will be to “tell the story” of the beginnings of hula—the version told in the book “The Epic Tale of Hi`iakaikappoliopele”. Puakea Nogelmeier translated newspaper accounts of the tale from the early 1900’s. The book’s illustrations are by Solomon Enos. An account of the writing of the story can be found at:
http://archives.starbulletin.com/2008/02/19/features/story03.html
A somewhat simplified version of the Hi`iaka story can be found at:
http://en.wikipedia.org/wiki/Hi'iaka
2. The second trunk will have portraits of five important kumu:
* `Iolani Luahine (awarded the State of Hawaii Order of Distinction for Cultural Leadership 1969-1970)
* Edith Kanaka`ole (awarded the State of Hawaii Order of Distinction for Cultural Leadership 1979)
* Mary Kawena Pukui (She received the Hawaii Award for Literature in 1976)
* Lokalia Montgomery
* Tom Hiona
3. This third area is the large space in the center of the DH galleries. This will be largely black and white photos of kumu important in the development of hula in the modern era. The portraits are those found in the book Nana I Na Loea Hula – Look to the Resources Volume 1. The photos were taken by Shuzo Uemoto. It was published in 1984 by the Kalihi-Palama Culture & Arts Society. The project took over 2 ½ years of research, interviewing and photographing. Each notable hula exponent is not only represented by a photo, but by a page of first-person narration explaining his or her background in/relationship to hula.
4. This fourth part will have more “art objects”, photos, and hula costumes.
Websites
Hula Preservation Society.org
HPS is a non-profit dedicated to documenting and sharing the amazing life stories of our eldest living Hula Masters and their efforts to perpetuate hula, so their legacies live on to inspire and educate generations to come in the authentic culture of Hawai`i.
Mele.com
Hula Hālau worldwide listings
Books/Articles
What do you feel people need to know about hula? What do we want them to come away with?
1. Inspiration to create, to learn hula, and Hawaiian culture
2. 2 points to convey throughout exhibit: continuity via creativity to develop new dances & maintenance of tradition and legacy
3. Important to state that there’s more than 1 way in interpretation; be open with interpretation to encompass many beliefs within hula
The exhibition will be in 4 parts:
1. The front part of DH galleries will have paintings, drawings, prints, etc. The intent will be to “tell the story” of the beginnings of hula—the version told in the book “The Epic Tale of Hi`iakaikappoliopele”. Puakea Nogelmeier translated newspaper accounts of the tale from the early 1900’s. The book’s illustrations are by Solomon Enos. An account of the writing of the story can be found at:
http://archives.starbulletin.com/2008/02/19/features/story03.html
A somewhat simplified version of the Hi`iaka story can be found at:
http://en.wikipedia.org/wiki/Hi'iaka
2. The second trunk will have portraits of five important kumu:
* `Iolani Luahine (awarded the State of Hawaii Order of Distinction for Cultural Leadership 1969-1970)
* Edith Kanaka`ole (awarded the State of Hawaii Order of Distinction for Cultural Leadership 1979)
* Mary Kawena Pukui (She received the Hawaii Award for Literature in 1976)
* Lokalia Montgomery
* Tom Hiona
3. This third area is the large space in the center of the DH galleries. This will be largely black and white photos of kumu important in the development of hula in the modern era. The portraits are those found in the book Nana I Na Loea Hula – Look to the Resources Volume 1. The photos were taken by Shuzo Uemoto. It was published in 1984 by the Kalihi-Palama Culture & Arts Society. The project took over 2 ½ years of research, interviewing and photographing. Each notable hula exponent is not only represented by a photo, but by a page of first-person narration explaining his or her background in/relationship to hula.
4. This fourth part will have more “art objects”, photos, and hula costumes.
Websites
Hula Preservation Society.org
HPS is a non-profit dedicated to documenting and sharing the amazing life stories of our eldest living Hula Masters and their efforts to perpetuate hula, so their legacies live on to inspire and educate generations to come in the authentic culture of Hawai`i.
Mele.com
Hula Hālau worldwide listings
Books/Articles
Past Exhibitions
2011
Accession
Gifted
2010
Accession
Gifted
2010
Hiʻiakaikapoliopele: Visual Stories by Contemporary Native Hawaiian Artists
May 7 - July 17, 2010
The 47th Annual Hawaiʻi Regional Scholastic Art Show
February - April 2010
Hoʻoulu- The Inspiration of Hula
September 4, 2009 - July 2010
Accessions
Fall 2008 - Summer 2009
Recent acquisitions of the Art in Public Places Program
February 6 - April 4, 2009The 46th Annual Hawaiʻi Regional Scholastic Art Show
Recent acquisitions of the Art in Public Places Program
February 6 - April 4, 2009The 46th Annual Hawaiʻi Regional Scholastic Art Show
2-d, 3-d, and portfolio artwork created by Hawai'i public and private school students in the 7-12 grade. HSFCA February 2009 (pdf)
2008
Uncommon Objects
11/2007 - 11/2008
Works created from wood, clay, glass, fiber and metal challenge the viewer to rethink the concept of craft.
(Photos) hawaiistateartmuseum.org
(Honolulu Advertiser article 11/2007) honoluluadvertiser.com
(KGMB interview with former gallery director Dr. Peter Britos) kgmb9.com
Intertwine: A Selection of Hawai‘i Fiber Art
9/2008 - 1/2009
A selection of fiber art from the Art in Public Places collection. This show is in conjunction with the 11th Biennial Symposium of the Textile Society of America
45th annual Hawaiʻi region of the Scholastic Art Awards exhibit
2008
Uncommon Objects
11/2007 - 11/2008
Works created from wood, clay, glass, fiber and metal challenge the viewer to rethink the concept of craft.
(Photos) hawaiistateartmuseum.org
(Honolulu Advertiser article 11/2007) honoluluadvertiser.com
(KGMB interview with former gallery director Dr. Peter Britos) kgmb9.com
Intertwine: A Selection of Hawai‘i Fiber Art
9/2008 - 1/2009
A selection of fiber art from the Art in Public Places collection. This show is in conjunction with the 11th Biennial Symposium of the Textile Society of America
45th annual Hawaiʻi region of the Scholastic Art Awards exhibit
2/2008 - 4/2008
2-d, 3-d, and portfolio artwork by students in the 7-12 grade.
(Star Bulletin article 2/2008) starbulletin.com
He Alo Ā He Alo: Face to Face, Visions & Portraits of Hawai‘i
5/2008 - 9/2009
(Star Bulletin article 7/2008) starbulletin.com
Palolo Kids
located at Downtown @ the HiSAM 5/2008 - 2009
(Pdf. of Art Reach magazine article Spring 2008) Page 6 hawaii.gov/sfca
2-d, 3-d, and portfolio artwork by students in the 7-12 grade.
(Star Bulletin article 2/2008) starbulletin.com
He Alo Ā He Alo: Face to Face, Visions & Portraits of Hawai‘i
5/2008 - 9/2009
(Star Bulletin article 7/2008) starbulletin.com
Palolo Kids
located at Downtown @ the HiSAM 5/2008 - 2009
(Pdf. of Art Reach magazine article Spring 2008) Page 6 hawaii.gov/sfca
2006
Precious Resources: The Land & the Sea
(Photo) hawaiistateartmuseum.org
This exhibition features ninety-seven works of art from the Art in Public Places Collection inspired by the natural environment of Hawai’i. The land and sea provides us with life-giving sustenance, natural beauty, and cultural traditions. The delicate balance of Hawai’i’s precious resources is explored through the eyes of artists, providing a forum for civic discourse on the topic of environmental sustainability.
Precious Resources: The Land and The Sea is developed in partnership with the State of Hawai’i’s Department of Land and Natural Resources
Art in Public Places(Honolulu Advertiser article 4/2006) honoluluadvertiser.com
2005
Summertime
short films screened by HIFF
2004
Inner ScapesHSFCA Summer 2004 pdf.
2002
Enriched by Diversity: The Art of Hawai`i
November 3, 2002 - 2004
Interactive map - Honolulu Advertiser
Collected Works - Star Bulletin article October 2002
Precious Resources: The Land & the Sea
(Photo) hawaiistateartmuseum.org
This exhibition features ninety-seven works of art from the Art in Public Places Collection inspired by the natural environment of Hawai’i. The land and sea provides us with life-giving sustenance, natural beauty, and cultural traditions. The delicate balance of Hawai’i’s precious resources is explored through the eyes of artists, providing a forum for civic discourse on the topic of environmental sustainability.
Precious Resources: The Land and The Sea is developed in partnership with the State of Hawai’i’s Department of Land and Natural Resources
Art in Public Places(Honolulu Advertiser article 4/2006) honoluluadvertiser.com
2005
Summertime
short films screened by HIFF
2004
Inner ScapesHSFCA Summer 2004 pdf.
2002
Enriched by Diversity: The Art of Hawai`i
November 3, 2002 - 2004
Interactive map - Honolulu Advertiser
Collected Works - Star Bulletin article October 2002
Art in Public Places Artists
Toshiko Takaezu
One of the first artists to explore ceramic’s possibilities as an independent aesthetic medium, Toshiko Takaezu revolutionized the field with abstract shapes, painterly glazes, and lyrical installations. Inspired by ceramist Maija Grotell, her teacher at the Cranbrook Academy of Art, Takaezu absorbed a philosophy of irregularity and asymmetry and drew upon diverse artistic influences from Europe, Asia, and the natural world. Takaezu was also strongly influenced by the theories of Hong Kong–born potter Bernard Leach and the works of Hamada Shoji, which taught her the Zen approach of intuition and formal simplification that shaped the artist’s mature style. Through her mastery of ancient firing techniques, Takaezu created earthenware that reached sculptural heights, just as her exploration of surface decoration led her to use glaze with the same expressiveness as abstract painters. Takaezu’s ceramics lucidly articulate the cross-cultural influences of East and West, bridging her American, Hawaiian, and Japanese heritages while announcing her originality and independence. - The Art Institute of Chicago (T. Takaezu Ceramics March 22–June 8, 2008; Gallery 109)
"One of the best things about clay is that I can be completely free and honest with it. And clay responds to me. The clay is alive and even when it is dry, it is still breathing! I can feel the response in my hands, and I don't have to force the clay. The whole process is an interplay between the clay and myself and often the clay has much to say." - Quoted from The Penland School of Crafts Book of Pottery, New York: Bubbs-Merrill, 1973, p. 145.
HSFCA Annual Report 2002-2003 (No. 1 Capitol District Facade Cover)
APP page 20
HSFCA Annual Report 2003 -2004 (Genoa Keawe Cover)
APP page 21
HSFCA Annual Report 2004-2005 (James Kaʻupena Wong Cover)
APP page 21
HSFCA Annual Report 2005-2006 (George Naʻope Cover)
APP page 22
HSFCA Annual Report 2006-2007 (Eddie Kamae Cover)
APP page 23
HSFCA Annual Report 2007-2008 (Ceramic Sculpture - Na Kama Ku I Ka Moku, artist Bob Flint Cover)
APP page 22
One of the first artists to explore ceramic’s possibilities as an independent aesthetic medium, Toshiko Takaezu revolutionized the field with abstract shapes, painterly glazes, and lyrical installations. Inspired by ceramist Maija Grotell, her teacher at the Cranbrook Academy of Art, Takaezu absorbed a philosophy of irregularity and asymmetry and drew upon diverse artistic influences from Europe, Asia, and the natural world. Takaezu was also strongly influenced by the theories of Hong Kong–born potter Bernard Leach and the works of Hamada Shoji, which taught her the Zen approach of intuition and formal simplification that shaped the artist’s mature style. Through her mastery of ancient firing techniques, Takaezu created earthenware that reached sculptural heights, just as her exploration of surface decoration led her to use glaze with the same expressiveness as abstract painters. Takaezu’s ceramics lucidly articulate the cross-cultural influences of East and West, bridging her American, Hawaiian, and Japanese heritages while announcing her originality and independence. - The Art Institute of Chicago (T. Takaezu Ceramics March 22–June 8, 2008; Gallery 109)
"One of the best things about clay is that I can be completely free and honest with it. And clay responds to me. The clay is alive and even when it is dry, it is still breathing! I can feel the response in my hands, and I don't have to force the clay. The whole process is an interplay between the clay and myself and often the clay has much to say." - Quoted from The Penland School of Crafts Book of Pottery, New York: Bubbs-Merrill, 1973, p. 145.
HSFCA Annual Report 2002-2003 (No. 1 Capitol District Facade Cover)
APP page 20
HSFCA Annual Report 2003 -2004 (Genoa Keawe Cover)
APP page 21
HSFCA Annual Report 2004-2005 (James Kaʻupena Wong Cover)
APP page 21
HSFCA Annual Report 2005-2006 (George Naʻope Cover)
APP page 22
HSFCA Annual Report 2006-2007 (Eddie Kamae Cover)
APP page 23
HSFCA Annual Report 2007-2008 (Ceramic Sculpture - Na Kama Ku I Ka Moku, artist Bob Flint Cover)
APP page 22
HSFCA Annual Report 2008-2009 (Aquarius by Tadashi Sato. State Capitol Rotunda Cover)
Monday, July 06, 2009
Recognition Award 2009
Artwork in consideration for the Hawai'i Art in Public Places Program (APP). Information for Docents and Volunteers of HiSAM. Keeping informed on future artwork that MAY be featured in the APP collection.
33rd Raku Ho'olaule'a Exhibition
Arts at Marks Garage July 2009
Crack Up
Ramon Camarillo
Plop
Rochelle Lum
Kasai
Russell Wee
Mauna
Russell Wee
Artists of Hawai'i 2009
Honolulu Academy of Arts May 14 - August 16, 2009
Fight-on-the-lava 2008
Gary Hoff
Watercolor, colored pencils, and pens
Just Being 2008
Andrew Binkley
Archival inkjet photography
Fumiko - Keeper of the Meek
Sally French
2008 Digital photography
Manana Street Triptych
Brian Malanaphy
2008 Photography
At the Edge: New Paintings by Melinda Morey and May Izumi: Once the Tale is Over
TCM at First Hawaiian Center. February 12 - May 1, 2009
New York City
Showing His Stripes
ipod
B-Boy Backpack
Melinda Morey, Kaua'i
2009 Oil, alkyd, dutch metal leaf on mixed media, on wood panel
Heliphant #1
Heliphant #2
Rrrroaarrr
May Izumi,
2009 Mixed media
The 10th International Shoebox Sculpture Exhibtion
UH Manoa Art Gallery. At UH- Manoa March 1 - April 9, 2009
Walking Tree
John T. Koga - Honolulu, HI
2008 Bronze
Bulb with Beetle
Linda Lighton - Kansas City, MO
2003 Clay, Glaze, and China paint lustres
Venus in Bloom
Carol Sakihara - Kailua, HI
2008 Copper
Unfurled: From the Devotion Series
Jacqueline Rush Lee - Kailua, HI
2008 Book, Ink, and Bookmark
33rd Raku Ho'olaule'a Exhibition
Arts at Marks Garage July 2009
Crack Up
Ramon Camarillo
Plop
Rochelle Lum
Kasai
Russell Wee
Mauna
Russell Wee
Artists of Hawai'i 2009
Honolulu Academy of Arts May 14 - August 16, 2009
Fight-on-the-lava 2008
Gary Hoff
Watercolor, colored pencils, and pens
Just Being 2008
Andrew Binkley
Archival inkjet photography
Fumiko - Keeper of the Meek
Sally French
2008 Digital photography
Manana Street Triptych
Brian Malanaphy
2008 Photography
At the Edge: New Paintings by Melinda Morey and May Izumi: Once the Tale is Over
TCM at First Hawaiian Center. February 12 - May 1, 2009
New York City
Showing His Stripes
ipod
B-Boy Backpack
Melinda Morey, Kaua'i
2009 Oil, alkyd, dutch metal leaf on mixed media, on wood panel
Heliphant #1
Heliphant #2
Rrrroaarrr
May Izumi,
2009 Mixed media
The 10th International Shoebox Sculpture Exhibtion
UH Manoa Art Gallery. At UH- Manoa March 1 - April 9, 2009
Walking Tree
John T. Koga - Honolulu, HI
2008 Bronze
Bulb with Beetle
Linda Lighton - Kansas City, MO
2003 Clay, Glaze, and China paint lustres
Venus in Bloom
Carol Sakihara - Kailua, HI
2008 Copper
Unfurled: From the Devotion Series
Jacqueline Rush Lee - Kailua, HI
2008 Book, Ink, and Bookmark
Tuesday, June 09, 2009
Accession 2009 - Artist websites
May 2009 - January 2010
Connie Adams
watercolor-online.com/ConnieJAdams/
Anita Benson
paintingsbyanita.com/Site/Aloha.html
Eli Baxter
elibaxter.moonfruit.com
Charles Cohan
charlescohan.com/
http://www.re-title.org/exhibitions/archive_curatorsoffice1705.asp
Info on drypoint, woodcut and collograph at www.wikipedia.org
Ellen Crocker
ellencrocker.com/
Mary Downes
http://www.undercoverquilts.com/Mary_patterns.htm
Daven Hee
http://www.lodestarcollective.com/hee.html
Charlene Hughes
http://www.hawaiicraftsmen.org/CharleneHughes.htm
Linda Kane
http://findarticles.com/p/articles/mi_m1248/is_4_92/ai_114924526/
http://www.hawaii.edu/artgallery/8th_shoebox/artists/pages/Kane.html
Jeeun Kim
http://www.jeeun.net/
http://www.tcmhi.org/ex_cafeInsideOut.htm
Frank McClure
http://web.mac.com/fmcclure/Frank_McClure/Home.html
http://www.hawaiicraftsmen.org/FrankMcClure.htm
Marie McDonald
http://www.nea.gov/honors/heritage/fellows/fellow.php?id=1990_07
http://www.waimeagazette.com/Apr94_MarieMcDonald.htm
http://www.honoluluacademy.org/cmshaa/academy/index.aspx?id=3582
Wayne Miyamoto
http://www.turchincenter.org/calendar.detail.php4?eventsid=435&exhibitsid=85
Very good article on Miyamoto’s life:
http://www.hawaii.edu/malamalama/2003/11/f6_choosingart.html
Margo Ray
margoray.com
Info on the printmaking process she uses, intaglio and chine colle, can be found on wikipedia.org
Georgia Sartoris
hamakuaartists.com/georgia
Jared Wickware
www2.hawaii.edu/~erikaj/pages/wickware1.html
***Some basic info on kapa:
www.honolulumagazine.com/Honolulu-Magazine/March-2006/If-These-Sheets-Could-Talk/
***Info on printmaking process:
wikipedia.com
Connie Adams
watercolor-online.com/ConnieJAdams/
Anita Benson
paintingsbyanita.com/Site/Aloha.html
Eli Baxter
elibaxter.moonfruit.com
Charles Cohan
charlescohan.com/
http://www.re-title.org/
Info on drypoint, woodcut and collograph at www.wikipedia.org
Ellen Crocker
ellencrocker.com/
Mary Downes
http://www.undercoverquilts.com/Mary_patterns.htm
Daven Hee
http://www.lodestarcollective.com/hee.html
Charlene Hughes
http://www.hawaiicraftsmen.org/CharleneHughes.htm
Linda Kane
http://findarticles.com/p/articles/mi_m1248/is_4_92/ai_114924526/
http://www.hawaii.edu/artgallery/8th_shoebox/artists/pages/Kane.html
Jeeun Kim
http://www.jeeun.net/
http://www.tcmhi.org/ex_cafeInsideOut.htm
Frank McClure
http://web.mac.com/fmcclure/Frank_McClure/Home.html
http://www.hawaiicraftsmen.org/FrankMcClure.htm
Marie McDonald
http://www.nea.gov/honors/heritage/fellows/fellow.php?id=1990_07
http://www.waimeagazette.com/Apr94_MarieMcDonald.htm
http://www.honoluluacademy.org/cmshaa/academy/index.aspx?id=3582
Wayne Miyamoto
http://www.turchincenter.org/calendar.detail.php4?eventsid=435&exhibitsid=85
Very good article on Miyamoto’s life:
http://www.hawaii.edu/malamalama/2003/11/f6_choosingart.html
Margo Ray
margoray.com
Info on the printmaking process she uses, intaglio and chine colle, can be found on wikipedia.org
Georgia Sartoris
hamakuaartists.com/georgia
Jared Wickware
www2.hawaii.edu/~erikaj/pages/wickware1.html
***Some basic info on kapa:
www.honolulumagazine.com/Honolulu-Magazine/March-2006/If-These-Sheets-Could-Talk/
***Info on printmaking process:
wikipedia.com
Friday, March 20, 2009
Recognition Awards 2007
Artwork in consideration for the Hawai'i Art in Public Places Program (APP). Information for Docents and Volunteers of HiSAM. Keeping informed on future artwork that may be featured in the APP collection.
Hawai'i Craftsmen Statewide Juried Annual Exhibition
Linekona Art Center, Honolulu Academy of Arts September 29 - October 28, 2007
Kolohe'ohe
Robert W. Butts - O'ahu, HI
wood
Kamehameha's Column
John Ilnicki - O'ahu, HI
metal
Ka Mala Pili Kai
Philip Markwart - O'ahu, HI
fiber
The three not so little pigs and the not so big not so bad wolf
Jackie Mild- Lau - O'ahu, HI
ceramic
Koi, Moi, Poi
Wilfred Y. Yamasawa - Hawai'i, HI
glass
Center of Balance
Par Kramer - O'ahu, HI
norfolk island pine
15th Annual Juried Woodworking Exhibition
Linekona Art Center, Honolulu Academy of Arts September 8 - 16, 2007
Fenix - I
Francisco Clemente - O'ahu, HI
Milonia
Fleurisma
Frank McClure - Hawai'i, HI
Hawai'i Craftsmen Statewide Juried Annual Exhibition
Linekona Art Center, Honolulu Academy of Arts September 29 - October 28, 2007
Kolohe'ohe
Robert W. Butts - O'ahu, HI
wood
Kamehameha's Column
John Ilnicki - O'ahu, HI
metal
Ka Mala Pili Kai
Philip Markwart - O'ahu, HI
fiber
The three not so little pigs and the not so big not so bad wolf
Jackie Mild- Lau - O'ahu, HI
ceramic
Koi, Moi, Poi
Wilfred Y. Yamasawa - Hawai'i, HI
glass
Center of Balance
Par Kramer - O'ahu, HI
norfolk island pine
15th Annual Juried Woodworking Exhibition
Linekona Art Center, Honolulu Academy of Arts September 8 - 16, 2007
Fenix - I
Francisco Clemente - O'ahu, HI
Milonia
Fleurisma
Frank McClure - Hawai'i, HI
Recognition Awards 2008
30th Annual "Commitment to Excellence" Art Exhibition
Linekona Art Center, Honolulu Academy of Arts August 19 - 28, 2008
Storm Coming In
Anita Benson
graphite over gesso
Volcanic
Scott Fitzel
fire on wood
Blow it Out
Curt Ginther
acrylic on canvas
Fire Cactus
Norm Graffam
charcoal
The Tears Fall; The Clouds Weep
Linda Kāne
charcoal
Contemporary Fiber Art of Hawai'i
TCM at First Hawaiian Center September 26 - January 13, 2009
Ki'i Pohaku
Pam Barton
2008 dyed and natural sennit
Na Ōpua a Hina
Pam Barton
2007 wauke and wild fig
Woman
Reiko Brandon
2008 dyed cotton shibori
The Pojaki
The Pojaki II
Jeeun Kim
2007 Korean mulberry paper
Women in Black: Tears Like Rain
Marcia Morse
2008 fiber and mixed media
Linekona Art Center, Honolulu Academy of Arts August 19 - 28, 2008
Storm Coming In
Anita Benson
graphite over gesso
Volcanic
Scott Fitzel
fire on wood
Blow it Out
Curt Ginther
acrylic on canvas
Fire Cactus
Norm Graffam
charcoal
The Tears Fall; The Clouds Weep
Linda Kāne
charcoal
Contemporary Fiber Art of Hawai'i
TCM at First Hawaiian Center September 26 - January 13, 2009
Ki'i Pohaku
Pam Barton
2008 dyed and natural sennit
Na Ōpua a Hina
Pam Barton
2007 wauke and wild fig
Woman
Reiko Brandon
2008 dyed cotton shibori
The Pojaki
The Pojaki II
Jeeun Kim
2007 Korean mulberry paper
Women in Black: Tears Like Rain
Marcia Morse
2008 fiber and mixed media
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